Soon, you are asked to perform at a host of poetry events where you will get paid in Hi-Fives, discreet smiles and a 20,000 UGX note balled up by the fist of the host.
It is not that the host doesn’t want anyone to see how much you are getting. On the contrary, the host has a fistful of unfunny money for the poet because it is agreed: that poetry performances are priceless. So paying for them somewhat trivialises their worth. It is thus better to keep that pay quiet, then.
Also, as long as you post poetry on social media; you are a poet. It matters little if your knowledge of the language you use to convey your poetry is so flawed it should come with boards inside a house.
Good grammar and clever diction are avoided like monkeypox, while sentences are replaced by phrases as “poets” become fonts of malaprops and malaphors.
Everyone’s a poet
Nowadays, everyone is a poet. And if you are not one, there is a willing audience just waiting to christen you one.
That is because the standards of entry into poetry are non-existent. Besides, how do you evaluate a One-Word Poem? If one word can make a poem, can’t any word make a poem? If so, poetry is words and words belong to us all. By this token, everybody is a poet. So who are we to distinguish a poet from a non-poet?
The low-hanging fruit of admission to the poetry fraternity has encouraged many non-poets to carry their political agenda to our poetry circles.
The Activist-Poet
In the last 10 years, poetry performances have become coded ensembles for a variety of political messages. Several poets have been arrested; others have been barred from performing at different venues.
That’s because they have been deemed too inflammatory for this fire-proof political dispensation, which places greater store by watered-down mumbo-jumbo than burning wordplay.
Still, after poets like Obed Obedgiu Kwokuboth Jalmeo led the way by pointing an admonishing pen at the leopard’s hindquarters, many a Ugandan “political poet” has sprung up.
Attempting to ride the coattails of poets who have crossed swords with the government and yet still have a pulse, poets of a younger generation felt that they could gain political notoriety by a similar joust. This provided seeds for the germination of even more activist poets.
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Guarding poets and poetry
One way to protect poets is to have them registered in an organisation that can regulate poetry and poems.
It is not enough for poets to be self-regulated. There must be regulatory mechanisms which guide and guard the movement of labour within the poetry fraternity.
While this might sound like censorship, it is actually a way for cultural and creative industries to benefit from standardisation concerning intellectual property rights, among others.
The policies and legislation governing the regulatory framework will facilitate artistic creation and enable business activities while promoting and preserving the country’s cultural diversity.
All the while, critical thinking and the ability to link the written word to an artistic vision must be part of these regulations. This will help poets broaden their imaginative awareness of language and the expression born of it.